What steps can be taken to enhance in-situ resource utilization (ISRU) for future astronauts on Mars? This is what a recent study presented at the 56th Lunar and Planetary Science Conference hopes to address as an international team of researchers investigated the reasons, benefits, and challenges of conducting ISRU on Mars. This study has the potential to help astronauts, scientists, engineers, and mission planners develop new methods for enhancing the survivability of future Mars astronauts while also maximizing mission success.
Spacecraft are expensive and intricately engineered machines designed to perform complex missions in harsh space environments. They're costly and require a long time to design and build. Due to their uniqueness and high value, and the need to keep them sterilized, they're assembled in cleanrooms that limit the amount of dust and microbes. New research shows that microbes are adapting to these clean rooms and learning how to thrive in them.
Technology Readiness Levels (or TRL levels, because repeating the last word of initialisms is common in English) is a metric commonly used by NASA to define how developed a technology for use on a mission is. These typically range from 1-9, with 1 being an idea in someone's head, and 9 having been successfully flown on a mission. One of the assessments of new projects that NASA does is a check of the TRL levels of its constituent components - those with a higher level get higher marks, since it is assumed that the technology necessary to get them ready will require less work. So, sometimes, NASA and other organizations will sponsor smaller missions to work on a specific technology needed for one of its big flagship programs. That seems to be the approach from a team led by Keri Hoadley of the University of Florida, who recently laid out a mission concept for the Ultraviolet Type Ia Supernova CubeSat (UVIa).
For a while now, there has been a problematic mystery at the heart of the standard cosmological model. Although all observations support the expanding Universe model, observations of the early period of the cosmos give a lower rate of acceleration than more local observations. We call it the Hubble tension problem, and we have no idea how to solve it. Naturally, there have been several proposed ideas: what if general relativity is wrong; what if dark matter doesn't exist; what if the rate of time isn't uniform; heck, what if the entire Universe rotates. So, let's add a new idea to the pile: what if dark matter evolves?
Tracking the sources of photons is a hobby of many astrophysicists. Some types of photons are tied so closely to particular phenomena that tracking their sources would help answer some larger questions in astrophysics itself. Photons on the "511 keV line" are one such type of photon, and they have been overrepresented near the galactic core, with no known source being prolific enough to create them. A new paper from Zachary Metzler and Zorawar Wadiasingh of the University of Maryland and NASA's Goddard Space Flight Center suggests one potential source - millisecond pulsar (MSP) binaries.
Insomnia has rendered me nearly insensate today, but I plan a nice science post tomorrow, assuming I’ll be able to write and think. Today we get music.
“Free Man in Paris” is a song written, sung, and performed by Joni Mitchell, describing record and film producer David Geffen kvetching about busy life in the US, where many people importuned him constantly. It’s about his celebrating his freedom from that importuning in Paris. The song first appeared on Mitchell’s “Court and Spark” album in 1974.
Geffen originally signed Joni to Asylum Records (part of Atlantic), and here’s a bit more about the song from the Wikipedia links above:
Joni Mitchell and Geffen were close friends and, in the early 1970s, made a trip to Paris with Robbie Robertson and Robertson’s wife, Dominique. As a result of that trip, Mitchell wrote “Free Man in Paris“ about Geffen.
The song is about music agent/promoter David Geffen, a close friend of Mitchell in the early 1970s, and describes Geffen during a trip the two made to Paris with Robbie Robertson and Dominique Robertson. While Geffen is never mentioned by name, Mitchell describes how he works hard creating hits and launching careers but can find some peace while vacationing in Paris. Mitchell sings “I was a free man in Paris. I felt unfettered and alive. Nobody calling me up for favors. No one’s future to decide.”
I love this song, as I love Joni—at the top of singers/songwriters/musicians of our era. Here she is playing it in 1979. The sax is great, and Joni plays electric. (The recorded version is here.)